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From Magic Starlight
Magazine (Crete) issue #1
Magic Starlight: Hello Rob and welcome to the Magic Starlight Radioshow!
Rob: It's good to be here.
Magic Starlight: I will start with a general question. How did get
involved in Heavy Metal?
Rob: Very young, I was listening to local radio stations, they had
DEF LEPPARD, MOTLEY CRÜE, TWISTED SISTER, VAN HALEN and things like that.
But then, a local college station played stuff like SAVATAGE, OMEN, GRIM
REAPER and so I was also exposed to more underground bands at that time.
This was 1984-'84 in Boise, Idaho, a relatively small town cut off from
most metal.
Magic Starlight: How did you got involved with such heavier bands,
since we European know how hard is for a band like GRIM REAPER for example
to get airplay in the U.S.?
Rob: I lived in a very small town in the U.S. For the standards of
Crete it's big, 100.000 people, but for me it wasn't a urban place. There
was a college student who liked Metal and that how he played those bands.
It just grew from there and ultimately I discovered CIRITH UNGOL, WARLORD,
CRYSYS (from Portland, Oregon), etc. I lived relatively close to the Seattle
scene growing up and heard many bands from there like FORCED ENTRY, ACCUSED,
all the thrash bands coming out of the bay area long before I actually moved
here.
Magic Starlight: How did you decide to form a label? What was the
reason?
Rob: Well, it was something that I wanted to do for a long time before
I started, what I found was that a lot of vinyl was vanishing and the only
place I could find it was in Europe. I've collected records for a long time
and I hated not finding records for my collection in the local shops. Now
there is almost nothing to be found here. It made a lot of sense to make
my own records because then it kept me in contact with other labels and
mailorders. You can do trades with them and keeping in contact with the
underground releases is easier that way. Also this gives me a chance to
add great metal records to my own collection that I might otherwise miss.
Magic Starlight: Which are Doomed Planet Records releases so far
and under what criteria you choose the bands you sign?
Rob: The first release was THE LORD WEIRD SLOUGH FEG's "Twilight
Of The Idols" and my second release was SOLITUDE AETURNUS' "And Justice
For All". "And Justice…" was supposed to be my first release, but it was
kind of slow-going getting the all the master tapes (they are a doom band
after all) and, while I was planning that, I heard the first full-length
SLOUGH FEG record and I just had to put this record out, I loved it so much.
I've known the band for four years and Mike Scalzi is a good friend of mine.
He is a very unusual person and very opinionated, like lots of musicians
(laughs)! I don't really sign bands like a bigger label. I license the rights
to make a limited number of vinyl. That is it. If the bands have any expectations
of greater things or think this is an ego thing, I immediately crush that
idea. A couple of deals fell through because the band though something that
wasn't true, so I just cancelled the whole project and moved onto bands
whose feet are firmly rooted in reality: there is no money to be made making
records. Basically, my No.1 criterion is that it has to be something that
I absolutely love. Anything else doesn't matters. If the music doesn't take
me by the throat and say: "This is incredible music.", then I believe that
the people who want to buy they will think the same. Of course it might
not be true that my tastes meet what all metalheads like, but I do try hard
to put out a product that looks and sounds like something right out of the
mid-80's.
Magic Starlight: Does the whole Internet thing made you spread your
products easier?
Rob: The Internet is definitely a great way to get information out
to the people that I sell records to, but for the most part I actually have
an fairy established customer base. So the only risk is if I put a record
out and the record dealers and collectors don't like it for some reason,
or like it less than other releases, then they won't buy as many, then I'll
have to try harder to sell it to other people.
Magic Starlight: Up to now, are you satisfied with the response to
your releases?
Rob: I don't think that I have had an unhappy customer yet. There
maybe some out there, but I have been very "picky" and as result the Metal
collectors and fans like what I do. That's the impression so far. I would
love to hear reactions from more people.
Magic Starlight: What's your opinion about the revival of the 80's
Metal. Do you think that labels like Doomed Planet helped the whole thing?
Rob: We might be a small part of it. To me, the problem with the
Metal revival is since there are so many releases, there are also many weak
albums. You have to really know the bands and also to have contacts in order
to ask and trust their opinion, so you don't spend your money to albums
you don't like. I almost never buy cds anymore unless I have a chance in
advance to hear what the band is like. Bands like STRATOVARIUS and RHAPSODY
I don't even consider to be metal. I bought a couple of RHAPSODY picture
discs because they look like total oldschool metal but they are this weak
school-children playground music to me. Not metal.
Magic Starlight: Which will be your future releases?
Rob: IKKI CRANE was a recent one, that's post-RELLIK material. They
play 80's Power Metal, maybe a little bit like MEGADETH. I've gotten the
impression it might be too heavy for some metalheads, also it doesn't sound
like IRON MAIDEN (like RELLIK does), so for example not as many Greek collectors
are as into it as RELLIK. The release after that was STONE VENGEANCE's earliest
material, between 1985 and 1987. Again, this is a pretty heavy, maybe in
the style of the first RAVEN lp ("Inquisitor" style on a lot of tracks,
very energetic) and very raw. Again, the Greeks didn't go for it as much,
but I keep trying. Out in Novermber 2002 is the TRAMONTANE "s/t lp, underground
80's style American Power metal similar to early QUEENSRYCHE, this is the
bands earliest material with a different vocalist than on the cd from a
few years ago. At the same time I released the TAUNTED 7", an unknown bay
area power metal act, this material is from '92, again a bit IRON MAIDEN
styled. For me this 7" is a real triumph, I tried for 3 years and finally
got this material released. After this is the cult GOTHAM tapes, they had
a rare private 7" in the 80's, I'm still chasing after master tape of bonus
tracks as I speak. After that? Who knows.
Magic Starlight: Why you do you insist on releasing stuff on vinyl?
Rob: Everybody can do a CD but I find CD's very boring, the artwork
is so small and I am just not interested! Plus I love the sound of vinyl,
to me it sounds so much better than other formats. Many of the records in
my collection will only ever appear on vinyl and I like the fact that most
of my releases will stay on vinyl only too (though a few came out on cd
by other labels).
Magic Starlight: Which bands do you prefer from the latest that came
out?
Rob: You mentioned before RIVAL which I think they are really
good. TIERRA SANTA, DOOMSWORD, OCTOBER 31 because they play old 80's Metal
style.
Magic Starlight: What's you opinion about the future of Authentic
Metal?
Rob: A lot of bands are putting out albums, so there will be a lot
of average stuff. But it has always been that way and of course it will
always be like that. Any time there is a trend, others will follow. But
the cream will always rise to the top and the best will be remembered. This
also leaves room for small labels to unearth the great bands that the bigger
labels will always miss.
Magic Starlight: And about the Greek scene?
Rob: Oh, I love the Greek scene! VICE HUMAN is probably my favourite
and their album "Metal Attack". I also like REFLECTION, their demos and
the new recordings are incredible! Can anyone help me find a copy of the
VAVEL lp and the ARMAGEDDON '91 12" EP from Cyperus? I'm still searching
for these metal masterpieces. It's really nice to see Greek band getting
to release again some of their old material, like NEMESIS and AIRGED L'AMH.
CRUSH made a great record too. The POWERDROPS cd is also excellent. What
happened to MARAUDER? They released an essential metal cd with "Sense of
Metal". Thanks for a chance to do this interview, long live Magic Starlight
Radio Show and Magic Starlight Magazine!
From Metal Coven website (Germany)
1.)
First of all please introduce your Label to us. What's it's name? When and
by whom was it founded? What was the idea that made you start an own records
Label?
My label is Doomed Planet Records, created in 1998. At the
time there was only 1 other label in the U.S. doing vinyl of traditional
metal. It was something that I wanted to do for a long time before I started,
what I found was that a lot of vinyl was vanishing and the only place I
could find it was in Europe. I've collected records for a long time and
I hated not finding good records for my collection in the local shops. It
made a lot of sense to make my own records because then it kept me in contact
with other people into vinyl. Also this gives me a chance to add great metal
records to my own collection that no one else will put out!
2.) What releases do you have out so far? Please name us at least the
most interesting ones:
(edited, just check the website). To me they are all very interesting!!
3.) Is your Label specialised on special styles of music? If yes, what
kind of music do you feature? And, what kind of music would you never release
on your Label?
So far everything I have done is US metal of some sort, old
power metal, traditional or epic doom. I plan on sticking to those styles.
I'm trying to arrange a Dutch band but I don't know if it will happen yet,
time will tell.
4.) What formats (Tape, CD, CD-R, Vinyl, Video, etc.) do you prefer?
Why?
Vinyl, of course. To me records sound best and the presentation
is far superior than a boring cd. I love records.
5.) Do you only release unreleased albums or do you also do rereleases
of old and long forgotten pearls?
I mostly plan on doing old unreleased
80's US metal. There is so much good unknown metal to be unearthed here.
I keep coming across great material. I have done 2 ½ reissues, my first
release finally came out on cd 1 year after the vinyl.
6.) What about your product's outfits? Are things like good cover artworks,
good quality sleeves or lyric sheets important for you? If yes, why? Or
do your releases only appear in very spartanic outfits? According to you,
what importance does the outfit have in comparison to the music?
To me the presentation is very very important. Of course the
music is always the #1 consideration. My favorite U.S. records are ones
like Wyzard "Knights of Metal", Thor from Spain, Thor from Argentina, Rose
Bayonet from New Zealand, private/small label pressings from all over. Also
early Metal Blade releases. I try to make records that collectors feel were
made in the 80's. I'm not interested in a record that looks like it is too
"slick" and produced, I prefer something with honesty and passion.
7.) Do you're releases also have specials such as for example colored
vinyl/CDs, Bonus Tracks, Gatefold Sleeves, etc.? How important are such
things to you?
I like colored vinyl so 100 of the 500 copies are always pressed colored
vinyl, unless it is a picture disc of course! I always try to have as much
bonus material as possible.
8.) Where are your releases printed/produced?
I have tried several places to have records pressed. Currently everything
is made in the U.S.
9.) How do you promote your releases? Do you need the help of Magazines
and Fanzines in order to get your releases recognized by the Fans?
Mostly word of mouth and small independent mail order distributors.
I have gotten some good reviews on my releases, I support as many fanzines
as possible. Snakepit, Den of Iniquity, and That's Metal are the best. I
miss Singing Swords and Steel Conjuring, they were great magazines.
10.) Next to records, do you also release other stuff like for example
Shirts, Patches or things like that?
No.
11.) What aims, plans and visions do you have for the future? What dreams
do you still want to reach?
It has been
my dream to make some great records and I think I am doing it. Only you
can let me know if I am not reaching this goal.
12.) What will be the next releases on you Label? Can you already tell
us, what we can expect from you in the near future?
Gotham is shipping to customers and distributors.
Jack the Ripper from '82-'84 is ready. The ones after that are a surprise
because they are still being negotiated.
13.) What do you think about the big major Labels, their releases, their
methods and their politics?
I'm not too concerned with big labels. Very
few of them make records today, so I don't support or notice many of them.
Some mid-size labels like Nuclear Blast put out records so occasionally
I buy some of their better releases.
14.) Where do you see the difference between your Label and these big
ones?
There is no money to be made doing a small label like I do, it is all just
because I like releasing good metal. I am on good terms with all my customers,
that is very important to me, to be reliable and honest.
15.) What importance do values such as loyality or idealism have for
you? What other values are important for you?
Idealism is key to being
able to strive to release good metal! I enjoy what I do.
16.) If you look at nowadays metal scene, what's the biggest thorn in
your eye? What things would you definitly change if you could?
Metal scene? In America there is no metal scene, it is very dead.
There are plenty of black/death/brutal bands, real traditional metal bands
are of course still there but they are the minority. There are great band
all over the country, making records and occasionally playing gigs, but
there is no scene. In the San Francisco area there are only about 5 or so
"traditional" metal bands, where there used to be more real metal bands
than you could imagine playing here. I don't see that changing any time
soon either.
17.) Are their any bands which haven't signed on your Label yet, but
which you'd love to release?
There are too many to mention here.
The problem is many bands are long broken up and are very difficult to track
down, but I keep trying!
18.) OK, that's it! thank you very much for taking part! Now I leave
the last words to you!
Thanks for the interest in my releases.
Without the die hards out there that still continue to support small labels,
I could not continue to exist. Thanks to you for reading this, I appreciate
your support of my releases